Today, we're spotlighting horror writer Alisha Adkins. Alisha is the author of Flesh Eaters, Making the Best of the
Zombie Apocalypse, Daydreams of Seppuku, and Twisted Tales for Twisted
Minds. She is a native of New Orleans and has also lived in Dallas,
San Francisco, and Nagasaki Prefecture, Japan. Alisha holds a master's
degree in education and worked as a secondary English and history
teacher for ten years before escaping the profession. She has also
worked as a bartender, owned and operated an eBay Powerseller store,
acted as a forum moderator for a popular online game, and worked as an
educational consultant for a major publishing company. She says she is currently
pursuing her dream of writing and quietly starving to death. Read more about her and her works at
http://rhapsodyinlime.blogspot.com/.
In New Orleans, the outbreak brings with it carnival
carnage, Mardi Gras mayhem, and zombies on parade. Zombie Gras follows the
lives of three survivors: a tourist who may never go home, an elderly
shopkeeper trying to wait out the zombie apocalypse as if it were another
hurricane, and a young man and his girlfriend who conduct volunteer rescues
around the city. In this novelette prequel to Flesh Eaters, Alisha Adkins
delivers a darkly humorous tale that also serves as a parable, chillingly
paralleling the strife wrought by Hurricane Katrina and recognizing the
resilience of New Orleans' spirit.
Why write about zombies?
I've always been drawn to zombies. As an archetype, to me they represent
loss, defiled memories, and the struggle for survival.
But what is most interesting is how people react to them. Their presence
strains human relationships, forces characters to adapt to adverse situations,
and reveals how easily people can accept formerly taboo behaviors.
Zombies are
dangerous, but although they may kill you, it won't be with any special cruelty
or malice. Their motivations are basic and transparent. They're
just hungry. It's the very base of Maslow's Hierarchy of Needs; you can
hardly even blame them for trying to eat us. The living, on the other
hand, are far more devious. What people are capable of can be truly
terrifying.
It's a human eat human world out there. Adrienne awakens one day to
find herself inexplicably thrown into a world populated by the undead
and soon learns that, in order to survive, she must adapt by eating the
dead -- before they eat her. Assuming the role of protector of an
abandoned young boy whom she befriends, Adrienne embarks on a hunt for
both survival and meaning, struggling to keep them both alive, remain
sane, and to preserve her humanity. Flesh Eaters is an irreverent tale
of zombies, cannibalism, and self-consumption. Mixing survival horror
with smatterings of postmodernism, existentialism, black humor, and
nihilism, Alisha Adkins, in this debut novella, weaves a graphic and
disturbing story while also making a stark statement about humanity.
Extreme circumstances dictate extreme behaviors. Nathan
cares for his incapacitated zombie mother. Tempest runs dangerous jobs for
black market agents while trying to keep ahead of her past. Meeting at a
support group for apocalypse survivors, they discover that each may have what
the other needs.
What else do you write? What’s next for you?
I
write mostly supernatural and psychological horror. My most recently
published book is
Twisted
Tales for Twisted Minds, which is a collection of short stories.
My current project,
Shadow
Schism, is a novel I'm rolling out in serialized form. It's based
around Jungian psychology. In it, the collective unconscious is
dying, and rifts are forming between physical reality and the shadow
world. Shadows are leaking through the cracks, invading our world.
Nick, our protagonist, is an unlikely, and not altogether willing, hero, but
when psychoids begin to appear to him in the form of animal totems, he
has no real choice but to listen to them. He needs to find a way to close
the rift between worlds before it's too late.
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